"How cold is all history, how lifeless all imagery, compared to that which the living nation writes, and the uncorrupted marble bears!"
- Antoni Gaudi
Architect, La Sagrada Familia, Spain
- Antoni Gaudi
Architect, La Sagrada Familia, Spain
WELCOME
Formed in 2012, The Bridge Art Project's Steering Committee are steadily working toward a funding campaign to design and facilitate a monumental public arts project based around the new Echuca/Moama bridge crossing and surrounds. So far, we’ve made robust progress with support coming from all stake holders, near and far.
The Bridge Art Project aims to provide a contemporary visual art-based record of the region’s pre and post-colonial cultural development with a focus on the rich traditions of the Yorta Yorta Nation - Australia’s largest aboriginal nation. The most accomplished visual story-tellers of our time, along with emerging designers, sculptors and artists will interpret our region’s epic history on traditional Yorta Yorta land in the Murray Goulburn region.
A collaborative concept being developed by indigenous and non-indigenous Australians, we seek to facilitate the creation of a compelling historical narrative on and around the impending bridge infrastructure. Furthermore, we aim to oversee the construction of an additional indoor contemporary art gallery, outdoor sculpture space and historic interpretive centre on the N.S.W. landing of the new bridge. An educational/conference centre will be added as a centre for international study groups.
Inspired by the runaway success of the private arts enterprise of M.O.N.A. in Tasmania, the Bunjilaka Aboriginal Cultural Centre in Melbourne and the sprawling public art galleries of the Berlin Wall and Stockholm Metro, project conceiver Barry Donchi and the steering committee seek to mount Australia's most extensive landmark outdoor arts project. The project aims to strengthen social partnerships, revitalise folklore and attract international attention to a courageous acknowledgement of untold historical truths.
The Bridge Art Project aims to provide a contemporary visual art-based record of the region’s pre and post-colonial cultural development with a focus on the rich traditions of the Yorta Yorta Nation - Australia’s largest aboriginal nation. The most accomplished visual story-tellers of our time, along with emerging designers, sculptors and artists will interpret our region’s epic history on traditional Yorta Yorta land in the Murray Goulburn region.
A collaborative concept being developed by indigenous and non-indigenous Australians, we seek to facilitate the creation of a compelling historical narrative on and around the impending bridge infrastructure. Furthermore, we aim to oversee the construction of an additional indoor contemporary art gallery, outdoor sculpture space and historic interpretive centre on the N.S.W. landing of the new bridge. An educational/conference centre will be added as a centre for international study groups.
Inspired by the runaway success of the private arts enterprise of M.O.N.A. in Tasmania, the Bunjilaka Aboriginal Cultural Centre in Melbourne and the sprawling public art galleries of the Berlin Wall and Stockholm Metro, project conceiver Barry Donchi and the steering committee seek to mount Australia's most extensive landmark outdoor arts project. The project aims to strengthen social partnerships, revitalise folklore and attract international attention to a courageous acknowledgement of untold historical truths.
local gallery - a world first
the riverine herald newspaper report
The longest outdoor art gallery in the world? In Echuca/Moama? I’d like to see that!
And so would local timber conservationist Barry Donchi. Together with aboriginal artists and educators, Clive and Judy Atkinson, Yorta Yorta representatives, Damian Morgan Bulled and Neville Atkinson, the local arts community and national cultural experts, the Bridge Arts Project Committee is pursuing a vision for the new bridge to be used as the centrepiece for a multi-million dollar arts initiative.
“The new bridge will run through several kilometres of bushland, and will be elevated by pillars in parts and raised earthworks elsewhere,” Barry said. “These structures beneath the bridge and approaches provide blank canvases and a unique opportunity for major artists to interpret history and help build a large, dramatic outdoor contemporary art park." The central theme of the bridge arts project would be the retelling of the history of Australia's inhabitants, with a focus on our indigenous stories, which have often been distorted, sanitised or not told at all.
"Ours is the oldest living culture on earth," said artist Clive Atkinson, "We have a rich history going back many thousands of years. We would like that story to be told and recognised.”
More recently, the collision between local indigenous Australians and Europeans in the 1800’s and beyond involved atrocities against indigenous people and led to their demoralisation and marginalization. The world deserves to discover these stories. Neville Atkinson, chairperson of Yorta Yorta Nation says : "The Yorta Yorta Nation being the traditional owners of the region are keenly interested in social inclusion and contributing to the economical development for the region. We clearly see this project as presenting an opportunity to develop much needed partnerships in the local community."
Local aboriginal history will form part of a wider national indigenous narrative that will be sought and featured, making the gallery a national and international drawcard for the region. The stories of non-aboriginal Australians will also be featured, to reflect the diverse nature of all our peoples’ origins. To support the outdoor elements, Barry envisages an indoor contemporary art gallery, cafe, and tour information centre. A sculpture park and fauna park are also in his sights.
The project would add a substantial new dimension to the towns’ existing historical attraction, which is based primarily around its river-boat history, and would give a voice to the original custodians, both locally and throughout Australia. Enthusiastic support and ongoing participation of the Yorta Yorta Nation will ensure strong cultural guidance for the project. Wide-ranging support for the project has also been offered by the Murray Regional Tourism Board, Mirrimbeena Aboriginal Education Group, C4EM, Echuca Moama Tourism, Shire of Campaspe, Murray Shire and the Echuca Moama Arts Initiative. Additional pro-bono support has been offered by Stubberfields Accountants, Dawes and Vary and Brandrick Architects. On a broader scale, nationally recognised indigenous cultural experts have shown great interest in the project.
"An opportunity like this doesn’t come along very often,” said Barry. “We are getting the bones of a gallery built for us. It’s up to us to put the flesh on it. Imagine what Gaudi could've done with it!!”
And so would local timber conservationist Barry Donchi. Together with aboriginal artists and educators, Clive and Judy Atkinson, Yorta Yorta representatives, Damian Morgan Bulled and Neville Atkinson, the local arts community and national cultural experts, the Bridge Arts Project Committee is pursuing a vision for the new bridge to be used as the centrepiece for a multi-million dollar arts initiative.
“The new bridge will run through several kilometres of bushland, and will be elevated by pillars in parts and raised earthworks elsewhere,” Barry said. “These structures beneath the bridge and approaches provide blank canvases and a unique opportunity for major artists to interpret history and help build a large, dramatic outdoor contemporary art park." The central theme of the bridge arts project would be the retelling of the history of Australia's inhabitants, with a focus on our indigenous stories, which have often been distorted, sanitised or not told at all.
"Ours is the oldest living culture on earth," said artist Clive Atkinson, "We have a rich history going back many thousands of years. We would like that story to be told and recognised.”
More recently, the collision between local indigenous Australians and Europeans in the 1800’s and beyond involved atrocities against indigenous people and led to their demoralisation and marginalization. The world deserves to discover these stories. Neville Atkinson, chairperson of Yorta Yorta Nation says : "The Yorta Yorta Nation being the traditional owners of the region are keenly interested in social inclusion and contributing to the economical development for the region. We clearly see this project as presenting an opportunity to develop much needed partnerships in the local community."
Local aboriginal history will form part of a wider national indigenous narrative that will be sought and featured, making the gallery a national and international drawcard for the region. The stories of non-aboriginal Australians will also be featured, to reflect the diverse nature of all our peoples’ origins. To support the outdoor elements, Barry envisages an indoor contemporary art gallery, cafe, and tour information centre. A sculpture park and fauna park are also in his sights.
The project would add a substantial new dimension to the towns’ existing historical attraction, which is based primarily around its river-boat history, and would give a voice to the original custodians, both locally and throughout Australia. Enthusiastic support and ongoing participation of the Yorta Yorta Nation will ensure strong cultural guidance for the project. Wide-ranging support for the project has also been offered by the Murray Regional Tourism Board, Mirrimbeena Aboriginal Education Group, C4EM, Echuca Moama Tourism, Shire of Campaspe, Murray Shire and the Echuca Moama Arts Initiative. Additional pro-bono support has been offered by Stubberfields Accountants, Dawes and Vary and Brandrick Architects. On a broader scale, nationally recognised indigenous cultural experts have shown great interest in the project.
"An opportunity like this doesn’t come along very often,” said Barry. “We are getting the bones of a gallery built for us. It’s up to us to put the flesh on it. Imagine what Gaudi could've done with it!!”
PROGRESS REPORTS
Keep up to date with the latest progress on the Bridge Arts Project and media coverage:
july 2018 funding announcement:
SYMPOSIUM A SUCCESS
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AN AWE INSPIRING VIDEO GLIMPSE INTO THE FUTURE
Vic Roads have generously uploaded the awe-inspiring computer-generated flythrough of the Mid–West corridor option - Mid - West Option HD (External link) to youtube and linked in to their official website's project page so the public can begin to grasp the magnitude of the second bridge crossing. Please visit their web page to read of their latest progress and explore their staggering vision. A huge nod of congratulations to Mr Mal Kersting for what he and his team have achieved for Echuca Moama's future. The Bridge Art Project look forward to adding a very unique and culturally significant touch to the bridge as the concept evolves! WATCH COMPUTER GENERATED VIDEO: Note: To view full screen press the white box in bottom right hand corner. Copyright VIc Roads (c) 2016
SYMPOSIUM REVIEW
'A Bridge to the Future' The Gala Dinner and Symposium, held at the MBC in Moama was a hugely successful event, attracting keynote speakers from all over the country and featuring a pivotal entree to the official Memoriam of Understanding between The Bridge Art Project and Yorta Yorta Nation. The Symposium was attended by over 100. READ MORE |
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THANKYOU
WE THANK OUR SUPPORTERS IN THE INITIAL PLANNING STAGES OF THE PROJECT
A WORD OF SUPPORT FROM PAUL WELLER, M.P. MEMBER FOR RODNEY
SETTING
- WHY HERE IN A REGIONAL ENVIRONMENT?
A project of this magnitude could never be achieved in a metropolitan area. An outdoor art scape across Dungula (The Yorta Yorta name for The Murray River) opposite a thriving colonial port in Echuca with subject matter dealing with local indigenous history and national cultural development has found its place on sacred Yorta Yorta land. As a tourist mecca, Echuca Moama has the infrastructure to support this project and its potential popularity to visitors. With a pending bridge construction, the time is ripe to design a narrative in harmony with the environment and the bridge plans. The local aboriginal heritage, hosting Australia's largest indigenous nation along with the post-colonial preservations in the Wharf precinct, add unique credence to the project's location. The vast bush land surrounding the Murray River is the perfect bedland for this long term vision.
- YORTA YORTA NATION
The Bridge Arts Project will be staged around the new Murray "Dungula" River bridge crossing in Echuca/Moama which is part of widespread Yorta Yorta territory. Traditionally, the river was not a border to the indigenous people. Yorta Yorta Nation comprises all the Yorta Yorta speaking clans, including the following: Kaitheban, Wollithiga, Moira, Ulupna, Bangerang, Kwat Kwat, Yalaba Yalaba and Ngurai-illiam-wurrung.
- ECHUCA-MOAMA
Echuca/Moama is a border-town hub located on the banks of the Murray and Campaspe rivers in Victoria/New South Wales, Australia. Echuca, a name meaning "Meeting of the Waters" in traditional Yorta Yorta language is indicative of the role rivers have played in the town's existence. Moama, also an Yorta Yorta name, means “Place of the Dead,” reflecting the use of the sandy soil there as burial sites. The Bridge Arts Project: Bridging History on the Murray has found its logical geographical location in Echuca/Moama - a place where two border towns will host a reconciliatory arts project across the iconic Murray near a riverway junction.